Messenger Pigeons Jazz Combo

Rehearsal Schedule:

  • 1st and 3rd Sundays of each month. 1:30 – 3 p.m. @ UConn.

Upcoming Performances:

  • Sunday, Sept. 29th, 2019. 2 PM. Mansfield Center for Nursing & Rehabilitation. 100 Warren Circle, Storrs, CT.
  • Note: because Eastern Regions conflict with the March Hartford Jazz Society Date, I asked them to look for another performances at which we can be the opening act.

Repertoire:

All selections are currently found within Vol. 54, “Maiden Voyage” (book/CD, book without CDiTunes) of Jamey Aebersold’s play-a-long series. Bring your book to every rehearsal.

  • Sonny Moon For Two (Bb Blues)
  • Impressions
  • Blue Bossa (Solar Flair)
  • Summertime
  • Song For My Father
  • Doxy
  • Satin Doll
  • Watermelon Man

At this point, the melodies for most of these pieces should be memorized, or close to it.

Practice Exercises:

  • major scales, followed by the 4 triads (maj, mi, dim, aug)
  • circle of fourths: 1,2,3,5 pattern
  • seventh-chord arpeggiation through tunes (1, 3, 5, 7)

YouTube Videos:

  • Sonny Moon for Two (Bb blues)

  • Impressions

  • Blue Bossa (Solar Flair = play-a-long track)

  • Summertime

  • Song For My Father

  • Doxy

  • Satin Doll

  • Watermelon Man


Tips (Tune Specific):

  1. Bb Blues
    • Bb and G blues scales both work.  Experiment with each.
    • Practice singing the root motion. “I — IV — I — I—, IV etc.
    • Arpeggiate through the progression.  Ascending and Descending.
    • Try playing with guide tones only.  (3s and 7s, alternating)
  2. Impressions
    • AABA form
    • Same harmony as Miles Davis’ “So What.” Listen to this too.
    • C major scale for A sections
    • Db major scale for B sections
    • Try practicing the two major scales in thirds, and then try soloing using thirds.
    • Rachael: try to transcribe a 32-bar chorus of the bass line from the play-a-long recording. Let me see what you’re able to accomplish on your own, and then I’ll help if needed. Also all the bass lines from this recording are transcribed in a book which you could order here: http://www.jazzbooks.com/mm5/merchant.mvc?Screen=PROD&Store_Code=JAJAZZ&Product_Code=MVB&Category_Code=
  3. Blue Bossa (Solar Flair)
  4. Summertime
    • D blues scale can work for the entire song
    • the form is a 16measure, modified blues
    • Ideally, you should try to outline the 3 main key areas: Dmi7, Gmi7 and F major.
  5. Song For My Father
    • F blues scale can get you through the entire tune.
    • Be aware of the “break” and have something bluesy and strong ready to plug in here.
  6. Doxy
    • Bb blues scale works throughout.
    • Listen to how Miles Davis approaches this solo. Very simple, melodic ideas, using chord tones.
  7. Satin Doll
    • Start by learning the melody really well and then playing around with it.
    • Use really simple motifs, sequencing your ideas through the tunes.  Start with the roots, then add the second degree of the scale. Go back and forth between the two notes.  When this is mastered, add the 3rd degree and then the 5th.
  8. Watermelon Man
    • Again the F blues scale is your friend with this song.
    • Like on Song for My Father, be ready for “the break” within the form.
    • Don’t get tricked by the song’s extended form.  It is 16-measures long; not 12.

Recommended Books and Resources:

  • The Real Easy Book – C, Bb, Eb, and bass clef versions
  • Jamey Aebersold Jazz “Play-A-Longs”: 

– Vol. 1, “How To Play Jazz and Improvise” (book/CD, book without CD, download tracks)

 

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