Cross-disciplinary work isn’t a novelty.
It’s a necessity.
The questions artists are facing—cultural, political, ecological—rarely belong to a single medium. Sound alone isn’t enough. Neither is image, text, movement, or theory on its own. The most urgent work happens in the spaces between disciplines, where ideas are tested, translated, and reformed.
My collaborative practice is rooted in curiosity and friction. I’m drawn to artists whose processes challenge my assumptions about form, authorship, and meaning—artists working in visual art, film, dance, architecture, literature, and civic practice. Collaboration, at its best, is not additive. It’s transformative.
I’m interested in projects that treat music as a social and spatial force, not decoration. Work that values listening as much as expression. Work that leaves room for ambiguity, tension, and silence.
I remain open to collaborative ventures that are conceptually grounded, socially aware, and willing to take risks.
If the conversation is serious, I’m listening.