Record production is the art of decision-making.
Every recording is a series of choices—about sound, structure, pacing, personnel, and trust. As a producer, my role is not to impose an aesthetic, but to help artists clarify and realize their own. The best records feel inevitable, not overworked.
I work with projects at different stages of development, from early conceptual planning to final post-production. Sometimes that means overseeing an entire recording process. Other times it means stepping in to support specific aspects where focus, experience, or perspective are needed.
My approach emphasizes preparation, communication, and restraint. Studio time is valuable. So is attention. The goal is not efficiency alone, but coherence—ensuring that performances, arrangements, and production choices are aligned with the core intention of the music.
Production support may include:
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Writing, editing, or refining musical arrangements
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Curating and contracting musicians
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Budget planning and project logistics
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Selecting recording studios and engineers
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Session scheduling and flow
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Conducting or directing ensembles in the studio
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Shaping performances during tracking
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Editing, mixing, and post-production oversight
I work selectively and collaboratively. If you’re interested in discussing a project, I welcome a conversation focused on intent, scope, and context before logistics.
