A decade ago, Hartford Courant jazz columnist Owen McNally described MacDonald as “a magical, musical alchemist of hip hybrids.” Today, that description rings truer than ever. MacDonald’s latest ensemble features an operatic bass-baritone with experience at the Metropolitan Opera, a world-class classical cellist, and a Brazilian percussionist. Brought together by MacDonald’s jazz-infused harmonies and shaped by the phrasing and articulation of the Western European classical tradition, the result is a fusion that is stunning, fresh, and utterly delightful.
Earl MacDonald’s Black Square Ensemble was formed from MacDonald’s desire to contribute to dialogues on human rights, climate concerns, common-sense gun reform, and racial justice. To achieve this, MacDonald has ventured beyond his jazz roots into the realms of art song, song cycles, and vocal chamber music. He has carefully selected poems and set them to music, aiming to amplify their emotional impact through the universal power of music. Represented poets include Sara Goudarzi, the Rev. Dr. Michael Pfleger, Everette Hoagland, and UConn’s own Professor Penelope Pelizzon.
Drawing its name from Kazimir Malevich’s groundbreaking abstract painting, “Black Square,” MacDonald’s ensemble mirrors the painting’s innovative spirit with a sophisticated approach and a commitment to pushing artistic boundaries.
MacDonald looks forward to debuting his new compositions before entering the recording studio in November, 2025. Expect the unexpected from this seasoned, award-winning artist who isn’t content to rest on his laurels.
Meet the Musicians:
- Pianist, Composer: Earl MacDonald is a Professor of Music and Director of Jazz Studies at the University of Connecticut. MacDonald’s accolades include a 2022 Covenant Award from GMA Canada, the Connecticut Office of the Arts’ 2020 Artistic Excellence Award, the Sammy Nestico Award for big band arranging, and two “jazz album of the year” JUNO Award nominations.
- Bass Baritone: Rod Nelman, a versatile and “superb singer-actor” (The Washington Times), has performed with the Metropolitan Opera, New World Symphony, Washington National Opera, Orpheus Chamber Orchestra, and the Arena di Verona.
- Cellist: Amanda Gookin
- Percussionist: Rogerio Boccato
On their upcoming recording and select performances the core ensemble will be augmented by a variety of guest musicians such as a string quartet, alto flute, string bass, brass and woodwinds.