Jazz Piano Lessons

Jazz Piano Lessons

This course outline describes the structure and expectations of jazz piano lessons at the University of Connecticut. More importantly, it reflects an approach to learning rooted in long-term artistic development, disciplined listening, and respect for the tradition as a living practice.

Jazz piano study is treated here not as a collection of isolated skills, but as an integrated process—where technique, repertoire, analysis, and imagination reinforce one another. Progress is cumulative, personal, and earned through consistent, focused work.

Course #s: MUSI 1222, Section 009; MUSI 1221, Section 009 (Secondary Applied Lessons); MUSI 3222, Section 009
Credits: Variable
Semester: Fall 2026
Instructor: Earl MacDonald
Office: MUSB 207
Class meeting times: Scheduled individually
Office hours: Wednesdays, 10–11 AM, and by appointment

Focus of Each Lesson

Each lesson is designed as a working session—addressing both immediate musical challenges and longer-term growth. The following elements form the core of weekly study and daily practice:

Earl MacDonald teaching a jazz piano lesson.

  • Memorization and review of repertoire, with emphasis on internalizing form, harmony, and melody
  • Solo transcription and analysis, moving from imitation toward assimilation and personal application
  • Keyboard skills, including technique (scalar and other exercises), voicings, and comping, developed in service of clarity, balance, and interaction
  • Improvisational concepts—harmonic, melodic, and rhythmic—applied within musical context rather than as abstractions

Assessment and Progress

Each week, students receive specific written assignments drawn from the areas above. Expectations for completion and mastery are clearly defined. Assignments are designed to be achievable within a one-week cycle, emphasizing depth and retention rather than surface familiarity.

By the end of the semester, six jazz standards must be fully memorized. Students are encouraged to begin with repertoire required for the Jazz Promotional Jury.

For each memorized piece, students should be able to:

  • Play the melody from memory
  • Sing the root motion
  • Arpeggiate all chords
  • Provide a harmonic analysis
  • Improvise in a manner that clearly outlines the form and progression

Once a piece is memorized, it should be added to the student’s “Songs I Know” list. Each week, one selection from this list will be chosen for performance to reinforce long-term retention.

Song Title M R A H I Date Added

M = melody from memory · R = root motion sung · A = chords arpeggiated · H = harmonic analysis · I = improvisation outlines the form

Weekly assignments constitute 80% of the final grade and are evaluated using the Lesson Form’s four categories—Tune Memorization & Review, Solo Transcription/Analysis/Imitation/Assimilation, Keyboard Skills, and Improvisational Concepts—weighted equally, as detailed below.

Weekly Lesson Grading Chart

Each of the four categories on the Lesson Form is scored 0–10 using the descriptors below. The Lesson Grade is the average of the four scores (round to the nearest 0.5); multiply by 10 for an out-of-100 score.

Category 9–10
Excellent
7–8
Good
5–6
Adequate
3–4
Weak
0–2
Unsatisfactory
I. Tune Memorization & Review Fully memorized and performed without hesitation; form, melody, and harmony internalized Memorized with minor lapses; solid grasp of form/harmony Partially memorized; noticeable gaps in form or harmony Minimal memorization; heavy reliance on notation or prompting Not prepared
II. Solo Transcription, Analysis, Imitation & Assimilation Transcription accurate and complete; analysis shows real insight; vocabulary surfacing in own playing Mostly accurate; analysis sound but incomplete; imitation evident, assimilation developing Incomplete or contains errors; analysis surface-level Largely incomplete; little independent analysis Not attempted
III. Keyboard Skills (technique, voicings, comping) Technique clean and controlled at tempo; voicings well voice-led; comping balanced and musically interactive Generally clean and controlled; occasional lapses in technique, voice-leading, or balance Functional but inconsistent; technique, voicing, or timing issues Technique, voicings, or comping frequently unclear or incorrect Not attempted or fundamentally incorrect
IV. Improvisational Concepts (harmonic, melodic, rhythmic) Applied fluently and musically within the tune, not just demonstrated in isolation Understood and applied with minor inconsistency Recognized but applied mechanically or out of context Misunderstood or rarely applied Not attempted

Lesson Grade = (I + II + III + IV) ÷ 4 / 10 (×10 for / 100)

⇒ Lesson Form

To account for the natural ebb and flow of a demanding semester, each student’s two lowest weekly lesson scores will be dropped when calculating the final weekly-assignment average. This allows for an off week—illness, a heavy exam schedule, a rough stretch of practicing—without it having an outsized effect on the final grade. It is not intended to excuse chronic under-preparation. (Zeros from unexcused absences are handled separately—see Attendance Policy, below.)

A mid-semester progress report will be provided via HuskyCT/Student Admin.

A faculty-adjudicated jury examination will take place at the end of the semester and will account for the remaining 20% of the final grade.

Jury Examination Rubric (20% of final grade)

Criterion Weight Description
Repertoire Readiness 25% Required tunes performed from memory, at tempo, in required keys
Technical Facility 25% Voicings, comping independence, touch, and time feel
Harmonic/Formal Command 25% Root motion, arpeggiation, and analysis on demand
Improvisational Fluency 25% Solos that outline form and progression convincingly

Grading Scale

A
93–100
4.0
A-
90–92
3.7
B+
87–89
3.3
B
83–86
3.0
B-
80–82
2.7
C+
77–79
2.3
C
73–76
2.0
C-
70–72
1.7
D+
67–69
1.3
D
63–66
1.0
D-
60–62
0.7
F
<60
0.0

The course content and schedule are subject to change at the instructor’s discretion and will be properly communicated to students as changes arise.

Attendance Policy

Students are expected to attend every scheduled lesson, prepared and on time. If you need to cancel, notify me as far in advance as possible—ideally several hours’ notice—so that I can make productive use of the time. Cancelled lessons are not made up. If I need to cancel a lesson, I will reschedule it.

Unexcused absences—lessons missed without advance notice—will receive a grade of zero for that week, no exceptions. A zero resulting from an unexcused absence is not eligible to be dropped under the two-lowest-scores policy described above.

Genuine emergencies—medical, family, or personal crises—are, of course, an exception. If something serious comes up, talk to me. I will always work with a student dealing with a real emergency; this policy exists to set a clear expectation for the ordinary term, not to penalize people going through something difficult.

Communication Policy

E-mail is the instructor’s preferred method of communication with students. Please allow 48-hours for replies. When requesting a meeting outside of regularly scheduled lessons, please submit several meeting time options. I prefer to be addressed as Professor MacDonald.

Copyright

My lectures, notes, handouts, and displays are protected by state common law and federal copyright law. They are my own original expression and I’ve recorded them prior or during my lecture in order to ensure that I obtain copyright protection. Students are authorized to take notes in my class; however, this authorization extends only to making one set of notes for your own personal use and no other use. I will inform you as to whether you are authorized to record my lectures at the beginning of each semester. If you are so authorized to record my lectures, you may not copy this recording or any other material, provide copies of either to anyone else, or make a commercial use of them without prior permission from me.

Academic and Conduct Policies for Students

⇒ cetl.uconn.edu — References for Syllabi Links

This page provides students with centralized access to policies related to academic integrity, conduct, discrimination and harassment, attendance, and accommodations, offering clarity on the standards that shape their classroom experience.

Some useful telephone numbers:

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